Dir: Miguel Angel Vivas

Nine years later Patrick and Jack live next door to one another in secured compounds on the outskirts of Harmony. Jack raises his daughter Lu (Quinn McColgan), teaches her to read and write and is overly protective of her. Patrick hunts for food during day light hours and at night drinks to excess while broadcasting over the air waves in hope some one is out there and will hear him.
Neither one talks to each other.
Something in the past created a rift between the two men. A rift that has widened over the years so much that Jack reprimands Lu if she dares talk to her Uncle Patrick. Their compounds have kept them safe from the zombie horde over the years but the lack of co-operation between the two is starting to take a toll on both men.
This Spanish-Hungarian co-production helmed by Miguel Angel Vivas (KIDNAPPED) is a different take on the usual zombie film. Much of the nearly two hour running time focuses on the every day existence of the small group of survivors and how the adults, Patrick and Jack, continue that existence and the role that Jack, as father, must play to the growing Lu who has no recollection of zombies. Fox shines as a tormented man driven to the bottle, Donovan is solid as the protective father and McColgan expresses well the innocence of youth.
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The good news is that the world ended AFTER Guillermo made the film |
Book-ending all that drama and family angst are two action set pieces with plenty of blood, gore and zombie mayhem to satiate my thirst. But it is the characters and their stories that raises this film above the others in the zombie genre that I've complained about in the past.
*** out of ****
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